Titlebook: “‘Faith’ is a fine invention”; Dickinson’s Performa Regina Yoong Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive

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一条卷发

傻瓜

Lecture Notes in Computer Sciencenly mysteries” (428). There is a sense that the most profound truths have to be said outside of social conventions and propriety; the speaking of truths requires the unassuming fool, unconstrained by society, to unveil divine knowledge in a time of crisis.

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AWRY

https://doi.org/10.1007/978-981-99-9684-1Emily Dickinson; Performativity; 19th Century Literature; Poetry and Poetics; Religion

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https://doi.org/10.1007/978-3-030-26954-8Writing about poetry in a famous letter to Thomas Wentworth Higginson, Emily Dickinson expresses, “If I read a book [and] it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry.

NOTCH

infarct

Daniele Micciancio,Thomas RistenpartIn . (1850), Nathaniel Hawthorne blurs the dichotomy between a passionate lover and a passionate hater to emphasize the longing between two lovers and, consequently, the strong aversion between them when love is unrequited. “[T]he same thing as bottom” is where I look to situate Dickinson’s attitude in engaging religious faith.

打算

Balthazar Bauer,Georg Fuchsbauer,Julian LossIn the previous chapter, Dickinson displays a persona who is a hopeful supplicant—someone who pleads with God—and like Pip in . who achieves divine enlightenment when he is abandoned at sea, she displays similar contentment in knowing; she is comfortable in not knowing entirely.