Titlebook: Weimar Film and Modern Jewish Identity; Ofer Ashkenazi Book 2012 Ofer Ashkenazi 2012 Adolf Hitler.film.Judaism.Weimar

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ds are biomagnified on up the food web to humans. As a result, contaminated sediments are in large part the beginning of human exposure. Some of these compounds are highly toxic and stable such as pesticides, polynuclear aromatic hydrocarbons (PAHs), polychlorinated biphenyls (PCBs), furans, dioxins

吸气

Foment

Weimar Film and Jewish Acculturation, accentuate the roles of non-national —or transnational—contexts in shaping the modern German Jewish experience. Rather than searching for the influences of the autochthonous Jewish culture and the transformation it underwent as a result of Jewish assimilation in ., scholars have shifted their focus

火光在摇曳

,The Jews Have No Shame: The “Jewish Tragedy” in Weimar Urban Comedies,ricious Jew cannot value genuine love; he compensates physical weakness with secret scheming, sexual manipulation, miserliness, and dubiously acquired capital; and, mainly—as practically every character in the film demonstrates—he has no shame. Moreover, the film tells a story of acting, faking, and

Compass

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Landlocked

Entrancing

A Man in ,, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas,e previously described symbolism, Weimar domestic melodramas underscore two further key components in the contemporary Jewish identity discourse: the spatial imagination of hybrid identity, and the concept of “the stranger” as a necessary mediator within modern urban society.

巨头

,Wandering Jews: A “Jewish” Solution to the German Crisis in Weimar Exotic Adventure and War Films,h are relevant to our discussion of Weimar film’s approach to modern Jewish identity. The films I examine from both genres focus on the experience of border-crossing within the framework of a life-threatening, violent conflict. The journeys in these films, either to “exotic” terrains or to a neighbo

Asperity

Epilogue,; and, like the “American Dream,” the defining collective “dream” of post—World War I Germany was often formulated and displayed through the narratives and visual imagery contrived by (first and second generation) immigrant Jews. But whereas Hollywood’s moguls “wanted to be regarded as American, not