Titlebook: Watching Shakespeare; A Playgoers‘ Guide Anthony B. Dawson Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 Ha

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Othello,ything but scorn. During the nineteenth century, . was a huge favourite, its heightened language, passionate feelings and exotic lure lending themselves admirably to the lavish and extravagant style of playing characteristic of the period. Verdi based what most critics consider his masterpiece on it

ABYSS

Infect

,The Winter’s Tale,n Ladell to get her some photos of the shrine at Lourdes. Ladell was mystified, but complied with the request. The design that emerged featured large banks of candelabra behind the statue of Hermione which were indeed inspired by those of Lourdes (see Plate 16). The candles were lighted one by one a

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HEED

The Tempest,s the problem of what to do with the strange, non-human characters such as Ariel and Caliban; then there are the masque, the disappearing banquet and the storm, elaborate stage spectacles all, requiring devices that are likely to call attention either to their own self-conscious cleverness or to the

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Macbeth,ect it because of the ill fate that so often attends it.. And directors who have taken it on have frequently run into trouble with illness, broken limbs or outright disaster. Nevertheless it is a popular, well-known play and is often produced. Perhaps superstition bows to economic exigency or artist

hair-bulb

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