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派博传思国际中心 »期刊书目

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Titlebook: War, Hate, Propaganda and the Internet: A Dangerous Combination ; Svitlana Mazepa Book 2024 The Author(s), under exclusive license to Spri

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发表于 2025-3-21 16:46:29 | 显示全部楼层 |阅读模式
书目名称War, Hate, Propaganda and the Internet: A Dangerous Combination
编辑Svitlana Mazepa
视频video
概述Presents a unique and engaging analysis of the challenges a democratic state faces during war .Considers how speech on social media during an armed conflict could potentially be considered a crime.Det
丛书名称SpringerBriefs in Law
图书封面Titlebook: War, Hate, Propaganda and the Internet: A Dangerous Combination ; Svitlana Mazepa Book 2024 The Author(s), under exclusive license to Spri
描述The book considers how speech on social media during an armed conflict could potentially be considered a criminal offence. In doing so, it reviews the European Court of Human Rights case law on the limits of freedom of speech in an armed conflict. The author then makes recommendations on how this should be reconciled with freedom of speech in a post-conflict society.  The book first outlines the propaganda cyberwar strategies being employed by the Russian Federation in the war against Ukraine. It then considers such incidents against the criminal law of Ukraine and Germany to determine when speech on social media can be considered an offence.
出版日期Book 2024
关键词propaganda; hate speech; freedom of speech; armed conflicts ; Russian Ukrainian war
版次1
doihttps://doi.org/10.1007/978-3-031-69008-2
isbn_softcover978-3-031-69007-5
isbn_ebook978-3-031-69008-2Series ISSN 2192-855X Series E-ISSN 2192-8568
issn_series 2192-855X
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2024
The information of publication is updating

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Svitlana Mazepaith Michael Bryant as Prospero; Jonathan Miller’s at the Old Vic, with Max von Sydow; Declan Donnellan’s Cheek by Jowl company, with Timothy Walker; and Nicholas Hytner’s for the RSC, with John Wood. These productions, all of a high order, show . as remaining in the inner repertory of Shakespeare, t
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first time completely formed, and the transition to this style is much more decidedly visible in . than in .. Yet in certain respects . recalls . rather than . or .. In the heroes of both plays the passage from thought to a critical resolution and action is difficult, and excites the keenest interes
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Svitlana Mazepand seine Freunde, Beatrice und Benedick zum gleichen Termin noch unter die Haube zu bringen. Umgekehrt nutzen Don John und sein Gefolgsmann Borachio die Woche dazu, um die Verbindung Heros und Claudios zu hintertreiben, so daß in beiden Fällen auch der Eindruck eines Wettlaufs mit der Zeit entsteht.
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Svitlana Mazepaitor justifiably wonders whether analysis of acts and scenes might yield any systematic meaning involving these words. We saw in chapter four that a Warwickshire of Shakespeare’s mind detectable in . involved speculation about the playwright’s aspirations for gentle status as reflected in certain as
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