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Titlebook: War and Theatrical Innovation; Victor Emeljanow Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Political propaganda.Milita

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发表于 2025-3-21 20:06:37 | 显示全部楼层 |阅读模式
书目名称War and Theatrical Innovation
编辑Victor Emeljanow
视频video
概述Addresses the interpenetration of theatrical practices and wartime strategies.Offers a broad view of the intersection between conflict and theatre, both temporally and geographically.Identifies key ar
丛书名称Palgrave Studies in Theatre and Performance History
图书封面Titlebook: War and Theatrical Innovation;  Victor Emeljanow Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Political propaganda.Milita
描述This book examines the relationship between wartime conflict and theatre practices. Bringing together a diverse collection of essays in one volume, it offers both a geographically and historically wide view of the subject, taking examples from Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day. It explores the ways in which theatre practices have been manipulated for use in political and military propaganda, such as the employment of scenographers to work on camouflage and the application of acting methods in espionage training. It also maps the change in relationships between performers and audiences as a result of conflict, and the emergence of new forms of patronage during wartime theatre-going, boosting morale at periods when social structures and identity were being destabilized..
出版日期Book 2017
关键词Political propaganda; Military propaganda; Wartime theatre; Scenography as camouflage; Espionage trainin
版次1
doihttps://doi.org/10.1057/978-1-137-60225-1
isbn_softcover978-1-349-95635-7
isbn_ebook978-1-137-60225-1Series ISSN 2947-5767 Series E-ISSN 2947-5775
issn_series 2947-5767
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919–1922 Red Army patronage would enable Kurbas’ group to rise from an unknown avant-garde studio to the most heavily subsidized theatre company of early Soviet Ukraine. Live performance, guns and politics on the borderlands created the beginnings of the new Soviet artistic infrastructure.
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Puppetry and the Spanish Civil Wared during the Second Republic in Spain and during the Spanish Civil War attempts were made to harness this popularity and to use the puppet for entertainment of troops, support the political struggle and to offer moral instruction.
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Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919–1922 Red Army patronage would enable Kurbas’ group to rise from an unknown avant-garde studio to the most heavily subsidized theatre company of early Soviet Ukraine. Live performance, guns and politics on the borderlands created the beginnings of the new Soviet artistic infrastructure.
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