Titlebook: Walther Gerlach (1889–1979); Eine Auswahl aus sei Hans-Reinhard Bachmann,Helmut Rechenberg Book 1989 Springer-Verlag Berlin Heidelberg 1989

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Walther Gerlach,Otto Sterne dance type, its cultural origins and artistic purpose: a ballet dancer’s use of pointe work and extension creates a sense of etherealism on stage, while an Afro-Caribbean dancer’s low centre of gravity and rhythmic foot stamping highlights the connection with the earth and story telling. Because o

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Walther Gerlachglobal economy is often said to bring culture into a more direct relation with the economy. A globalizing economy, it is often argued, gives new prominence to the “cultural” industries, to an economy of signs and images, or to a “culturalization” of economic space and process. On the other hand, the

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Walther Gerlach (1. 1) at the death of this player aged ‘scarse thirteen’ (1. 9), Jonson fixed Pavy in performance history as a skilled child who acted the parts of old men so ‘truely’ that the ‘Parcae’, or fates, ‘thought him one’ (11. 15–16). Indeed, the poem has served as a source of information for theatre his

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Walther Gerlachlitics, Ford rode to victory on a populist Tea Party-style platform promising small government, tight spending and tax cuts.. Setting the tone for a new era of municipal politics — one that has placed a combative mayor at the centre of highly theatrical and seemingly endless public scandals — Ford i

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