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Titlebook: Wahlen und Politikvermittlung durch Massenmedien; Theoretisch-methodis Hans Bohrmann (Direktor, Honorarprofessor für Jour Book 2000 Westdeu

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Martin Liepachl background more closely he has emerged as a well-read and highly conscious literary artist. It is strange, in fact, that . alone did not change the persistent image of him as a primitive, unlettered provincial much earlier, for the autobiography — no doubt intentionally — reveals him to be a widel
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Helmut Scherer was not very sensational, apart from the effect on the public of works such as . and .. Why a story of dreams or aspirations and continual failure, of inveiglement into marriage by seduction, of broken marriages, unmarried lovers who live together and rear children only to find them hanged, of marr
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Claude Longchampge. For Jane Austen, for example, who tends to be conservative and backward-looking in matters of semantics, the word often carries emotional and moral rather than physical associations: in . she can speak of ‘comfortable hopes’ and make Lady Bertram say that she will be ‘comfortable’ now that Fanny
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ier generation of Hardy scholars recognized in the machine/nature dyad the emblematic expression of one of his great ‘themes’—the depredations of industrialism in a traditional rural culture attuned to the natural rhythms of the land—critics have, by and large, long ceased to discern any such stark
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Helmut Schererby a force outside of himself: the coercive drive of industrial capitalism. Inspired by an admiration of the condition of the rich, the poor man’s son ‘finds the cottage of his father too small for his accommodation, and fancies he should be lodged more at his ease in a palace’. He is thus ‘enchante
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on 22 December 1839 at Melbury Osmond — Thomas Hardy was christened, on 5 July at nearby Stinsford. This had been the family parish since 1801, when the first Thomas Hardy, the writer’s grandfather, moved from Puddletown to the newly built cottage that was to become the family home for the next 112
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Christina Holtz-Bacha,Eva-Maria Lessinger’s position in the development of fiction during the last part of the nineteenth century. Readers and critics of Hardy are accustomed almost automatically to think of him as the creator of Wessex, the half-real, half-imaginary land which it is so much our pleasure to recreate as we read his work, an
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