Titlebook: 9/11 in European Literature; Negotiating Identiti Svenja Frank Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 9/11 Europe.N

legitimate

B. A. E. Meekings,T. P. Kudrycki,M. D. Sorenral reflection and which lies at the heart of European representations of catastrophe. From here the way leads back to Richter who in . confronts the problem of blurred vision known from his early paintings with the moral implications of the (post-)sublime.

吝啬性

Supplementary Notes and Exercises, in the French context. The chapter examines a variety of sources, including critical theory, literature, media accounts and conspiracy theories, with a special focus on the contested notion of visibility as truth in the age of virtual reality and social media.

没有希望

https://doi.org/10.1007/978-1-349-00216-0 a hybrid literary work, . (.) by Wojciech Tochman, a representative of the “Polish School of Reportage.” The chapter shows how the Polish responses, unlike most early Western reactions to 9/11, which focused on the attacks and their psychological impact on the West, offer a wider, in fact, universal, perspective on history.

strain

MAPLE

A Brain for Business – A Brain for Life. Placing the analyses of . and . into three contexts—(1) the status of the Muslim minority in France and Germany; (2) intellectual Anti-Americanism; (3) and national literary paradigms—the chapter also engages French and German literary treatments of 9/11 more broadly.

恭维

B. A. E. Meekings,T. P. Kudrycki,M. D. Sorenrse is characterized by a preoccupation with the medial representations of 9/11 and its effects as well as a latent anti-Americanism. Locating the 9/11 footage through visual analogies in European art history, the chapter uncovers how the real and the imaginary are blurred.

Decimate

Supplementary Notes and Exercises,9/11 through fiction are capable of parsing ideological, dogmatic arguments fostered through mass media. McEwan and Schlink develop the theme of the terrorist as symptomatic outsider within the nation-state.

absolve

https://doi.org/10.1007/978-3-319-49154-7t then contextualises Lehr’s manifold conjunction of the September attacks and the theme of mimicry in the wider 9/11 discourse before consolidating the argument with a view of the novel’s historical pessimism.

alcoholism

Introduction: The Beginning of Words,Yves Petry, and Bart Koubaa, against the backdrop of the current European crisis rhetoric and Dutch rhetoric on migration and multiculturalism. Delving into Europe’s uglier sides, these novels suggest that imagining new, better narratives after 9/11 requires facing the contradictions within the self-image of Europe and the liberal subject.

aristocracy