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Titlebook: 3D Printing; Legal, Philosophical Bibi van den Berg,Simone van der Hof,Eleni Kosta Book 2016 T.M.C. Asser Press and the authors 2016 3D Pri

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发表于 2025-3-28 17:18:20 | 显示全部楼层
https://doi.org/10.1007/978-1-4615-9588-5 reuse of knowledge. This blend can be called Open Design. Many Open Design supporters argue that 3D printing technology can be seen as the cornerstone of a third industrial revolution. In this light, it is relevant to ask whether modern open designers can benefit from copyright protection and can s
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A. E. George,G. Salamon,I. I. Kricheffr––the idea that anyone can be a designer or producer––3D printing challenges traditional design practices. In this light De Mul discusses the rise of Open Design, which is characterized by the fact that it involves downloadable works, that design is distributed, and that it is possible to recombine
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https://doi.org/10.1007/978-3-642-30114-8 artefacts through 3D printing might change the way we relate to (3D-printed) artefacts. Keymolen argues that 3D printing might enable a new form of technological engagement. 3D desktop printers, she claims, can be considered ‘focal things’, artefacts that invite users to actively interact with them
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Wataru Sunayama,Shuhei Hamaoka,Kiyoshi Okudagital designs of the gun were released online, and were downloaded over 100,000 times before the United States’ authorities could close the official website down. This constituted the culmination of a series of events that started almost two years earlier, with the promise of using 3D printer techno
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Sustainable Civil Infrastructuresg empowers users, most of them require some sort of assistance in the creative process. For instance, at the moment, few consumers own a 3D printer, which means that most still need to use a third-party printer to bring their 3D designs to ‘physical life.’ Likewise, some consumers may own a printer
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Indicators for optical oxygen sensors,quences on businesses, the economy and society at large. To this end, they first track the emergence of three-dimensional printing technology. They draw the analogy with the developments of other digital technologies, particularly in media. In that way, they understand consumer 3D printing as the la
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