Titlebook: (Re-)Imagining New Media; Techno-Imaginaries a Christoph Ernst,Jens Schröter Book 2021 The Editor(s) (if applicable) and The Author(s), und

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https://doi.org/10.1007/978-981-16-1425-5hould be used for in the present and in the future. In the mid-1990s, when the internet went public and the World Wide Web became available, many different metaphors were in use as people tried to make sense of the possibilities of this powerful new medium, capable of instantly transmitting data and

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Acoustic MIMO Signal Processinggument claims that television is based on a deep ambiguity: it constantly moves between artistic imagination on the one hand, and, on the other, the notion of a domestic medium that only represents the ordinary reality of everyday life. The second historical argument follows the assumption that this

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Signals and Communication Technologyflections on social changes. Within the estranged worlds of the narrations, the authors present the contemporary imaginaries of how society should (or should not) develop in the future. William Gibson’s Neuromancer is an important example of this archive. In a dizzyingly detailed description, Gibson

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Wiener Filter and Basic Adaptive Algorithmsthe documenta IX art exhibition in Kassel/Germany 1992. The original idea, the conceptual and technical challenges, the reactions at the time and the follow-up project . (1994) are discussed. The interview also addresses the legacy of the project and its relevance in the current media landscape.

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Christoph Ernst,Jens SchröterImportant contribution to the history and theory of media art and of the prehistory of digital culture.Addresses the topic of imagination and sociotechnical imaginaries in relation on ‘New Media’.Firs

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Neue Perspektiven der Medienästhetikhttp://image.papertrans.cn/012/image/100105.jpg

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