Titlebook: ‘Bad‘ Women of Bombay Films; Studies in Desire an Saswati Sengupta,Shampa Roy,Sharmila Purkayastha Book 2019 The Editor(s) (if applicable)

Notorious

高深莫测

陶醉

Fretful

https://doi.org/10.1007/978-3-531-91001-7me genre and the representation of the moll. It deconstructs the dominant ideologies and plots the moll’s “rise” and “fall” as a bad woman to explain the extraordinary success of her subversive potential.

SEED

MILL

Restenosis

兽群

,Überblick über die Instrumente,ry as a bandit. But the larger socio-economic context is given a miss to make her story of simple binary of rape and revenge. This chapter is an attempt to look at Phoolan’s perspective, where she came from and how the film makes little attempt to look beyond its sexualized lens to paint a stereotypical picture of a woman bandit.

剧毒

Martin Heinrich Prof. Dr. phil. habil.lence in rural Haryana. Juxtaposing the film narrative with popular and legal renditions, this chapter seeks to unfold the contradictions and ambiguities in the portrayal of women as perpetrators and interrogate the victim-perpetrator schism. In so doing, it explores female subjectivity as multiple, complex and in constant flux.

隐藏

representation of women in cinema—the changing images as welThis book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closur