Johnson 发表于 2025-3-21 18:10:53
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The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walacińskus experiences. What should the artist’s attitude be in that situation? Should he choose the path of increased “specialization” in his work or maybe quite the opposite—attempt to express his own personality in the most diversified way possible, thanks to medium diversity reaching—potentially—a large我就不公正 发表于 2025-3-22 02:38:08
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Music and Associations: Cultural Impact on Musical Perceptionsic and/or music may reach us almost anywhere and anytime (TV, radio, supermarkets, street musicians, etc.), thus forming our musical perception and experience. The paper focuses on the relation between cultural environments and perception of audible music language. The investigation involves not on薄膜 发表于 2025-3-22 09:22:34
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New Romanticism in Polish Music. Generation 51—Knapik, Krzanowski, Lasońd to as the “Stalowa Wola Generation” (the name derives from the place of their debut, i.e. the Young Musicians for the Young Town Festival in Stalowa Wola in 1976) or “Generation 51” (from the year of birth of the composers). They constituted the first generation phenomenon of such significance inGenistein 发表于 2025-3-22 22:11:40
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Musical Narrative in Representing Hiroshima: A Case Study of Erkki Aaltonen’s Second Symphony , (194poser Erkki Aaltonen’s Second Symphony . (henceforth .) is focused on as a case study. Composed in 1949, only four years after the atomic bombing, this symphony seems to be the first pure instrumental composition among more than five hundred musical works representing Hiroshima. This article discussErythropoietin 发表于 2025-3-23 07:43:33
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