大骂 发表于 2025-3-26 20:57:46

Coevalness, Indigenous Modernity and Indigenization: , (2016),e also engaging with contemporary processes of Indigenization of media. I draw on formal analysis as well as on an interview with the filmmaker to propose a threefold argument: first, I explore the decolonial potential of the affective relationship that informed the film’s production and the concept

摘要 发表于 2025-3-27 04:11:43

The Power of Aesthetics: , (2017), , (2017), , (2019),state support for, films with Indigenous plots. In this last chapter, the analysis of ., by Óscar Catacora, widely advertised as Peru’s first film entirely spoken in Aymara, and a number of remarks on other Peruvian recent film productions, including Melina León’s ., will allow me to retrace some of

dandruff 发表于 2025-3-27 06:30:21

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oxidant 发表于 2025-3-27 12:57:11

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极深 发表于 2025-3-27 15:05:47

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Dissonance 发表于 2025-3-27 21:00:02

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labyrinth 发表于 2025-3-28 01:32:19

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modifier 发表于 2025-3-28 05:45:49

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Nuance 发表于 2025-3-28 06:57:27

Maria Chiara D’Argenioetween differential expression of miRNAs and the cell condition. Such biological devices have shown potential to become a valuable tool in cancer treatment as a new type-specific cell targeting approach. So far, only single-circuit classifiers were designed in this context. However, reliable designs

BATE 发表于 2025-3-28 13:22:49

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查看完整版本: Titlebook: Indigenous Plots in Twenty-First Century Latin American Cinema; Maria Chiara D‘Argenio Book 2022 The Editor(s) (if applicable) and The Aut