Lice692 发表于 2025-3-25 07:08:15
http://reply.papertrans.cn/47/4637/463659/463659_21.png伪善 发表于 2025-3-25 10:57:08
http://reply.papertrans.cn/47/4637/463659/463659_22.png6Applepolish 发表于 2025-3-25 11:55:36
http://reply.papertrans.cn/47/4637/463659/463659_23.pngenmesh 发表于 2025-3-25 17:18:24
Necropolitics, Activism and Pedagogy: , (2008),et of film traditions as well as within Bechis’ own personal and professional trajectory; unlike in the case of the films examined in the previous chapters, however, such an approach leads me to consider . as part, not only of the recent trend I am mapping in this book, but of a broader circuit of films traditions and socio-political processes.馆长 发表于 2025-3-25 21:50:40
http://reply.papertrans.cn/47/4637/463659/463659_25.pngobstruct 发表于 2025-3-26 03:44:20
http://reply.papertrans.cn/47/4637/463659/463659_26.pngcrescendo 发表于 2025-3-26 08:11:47
http://reply.papertrans.cn/47/4637/463659/463659_27.png性学院 发表于 2025-3-26 10:13:23
http://reply.papertrans.cn/47/4637/463659/463659_28.png土坯 发表于 2025-3-26 14:20:46
http://reply.papertrans.cn/47/4637/463659/463659_29.pnghypnotic 发表于 2025-3-26 17:52:54
Necropolitics, Activism and Pedagogy: , (2008), of cinematic pedagogical activism that interrogates Western imaginaries of indigeneity, informs the public as well as denouncing the necropolitics which threatens Guaraní-Kaiowá life and enacts a type of activism informed by an empathetic and political alliance with the Indigenous actors. In that s