无目标
发表于 2025-3-23 12:39:52
http://reply.papertrans.cn/47/4637/463659/463659_11.png
不发音
发表于 2025-3-23 15:52:11
Indigenous Plots in Twenty-First Century Latin American Cinema978-3-030-93914-4
Dedication
发表于 2025-3-23 21:11:55
Book 2022n-Indigenous directors who set out to engage critically with colonial legacies and imaginaries, as well as with contemporary Indigenous marginalization, succeed in addressing these concerns by ‘unthinking’ and ‘undoing’ Western centrism and coloniality...Drawing on a wide range of disciplines and co
Parabola
发表于 2025-3-23 23:08:43
http://reply.papertrans.cn/47/4637/463659/463659_14.png
不适
发表于 2025-3-24 06:02:44
Book 2022Indigenous directors. Aimed at a global audience, but played by Indigenous actors, these films tell Indigenous stories in Indigenous languages. Over the last two decades, a growing number of Latin American films have screened the Indigenous experience by combining the local and the global in a way t
milligram
发表于 2025-3-24 08:48:05
Coloniality, Affect and Queering Gestures: , (2009),ce, as well as certain effects of Bolivia’s . highlighted in the film, on the other, I argue that . offers a complex portrayal of the coloniality pervading contemporary social relations in Bolivia and challenges it via a set of radical and queer gestures that involve the Indigenous characters.
MURAL
发表于 2025-3-24 12:36:57
pulations.Examines the relationship between coloniality, fil.In this engaging book, Maria Chiara D’Argenio delineates a turn in recent Latin American filmmaking towards inter/cultural feature films made by non-Indigenous directors. Aimed at a global audience, but played by Indigenous actors, these f
Cardiac
发表于 2025-3-24 17:58:50
http://reply.papertrans.cn/47/4637/463659/463659_18.png
brassy
发表于 2025-3-24 19:37:58
Coevalness, Indigenous Modernity and Indigenization: , (2016),ia; third, I ponder the ways in which the film relates to current processes of cultural and natural extractivism faced by the Wixaritari, and suggest that . invites a rethinking of the notion of politics.
尊严
发表于 2025-3-25 02:54:53
The Power of Aesthetics: , (2017), , (2017), , (2019),ction by examining, on the one hand, .’s dialogue with local and global cinematic traditions (Indigenismo, ‘slow cinema’) and, on the other, the function of intermediality and of ‘cultural intimacy’ as a production strategy in ..