cerebellum
发表于 2025-3-21 16:04:33
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JADED
发表于 2025-3-21 22:31:20
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阴郁
发表于 2025-3-22 03:32:58
https://doi.org/10.1057/978-1-137-44453-0Shakespeare; Contemporary Theatre; Tom Stoppard; Sarah Kane; Adaptation
玩笑
发表于 2025-3-22 05:13:47
https://doi.org/10.1007/978-3-658-26992-0at uses . and David Greig’s . (2010), that could be described as a prequel to .. What all these plays have in common is how they use Shakespearean material to make comparisons between the politics of the sixteenth and seventeenth centuries and events in the twentieth and twenty first centuries.
中国纪念碑
发表于 2025-3-22 10:26:51
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砍伐
发表于 2025-3-22 15:49:54
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砍伐
发表于 2025-3-22 20:42:16
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史前
发表于 2025-3-22 22:32:07
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Serenity
发表于 2025-3-23 02:45:00
Organisation und ZuständigkeitenBrenton, Peter Barnes, and Howard Barker: since then, a number of British playwrights have continued to be drawn to Elizabethan and Jacobean drama. The principal reason for that has been ideological: for example, in Edward Bond’s . (1971) and . (1973) or Peter Barnes’s . (.), Shakespeare as a figure
亲爱
发表于 2025-3-23 07:38:45
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