delta-waves
发表于 2025-3-26 21:43:16
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Coeval
发表于 2025-3-27 01:17:23
,Festive Tragedy: Jez Butterworth’s , (2009),sible. The chapter discusses how . can be seen as a contemporary example of C.L. Barber’s idea of a pastoral ‘festive comedy’, and is also representative of Naomi Leibler’s term ‘festive tragedy’ and Mikhail Bakhtin’s ‘the carnivalesque’, in particular the figure of the Lord of Misrule.
SAGE
发表于 2025-3-27 07:37:17
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烦扰
发表于 2025-3-27 10:03:21
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Atrium
发表于 2025-3-27 13:44:47
Organisation und Zuständigkeiten about the nature of death. This chapter targets Barker’s other major engagements with Elizabethan and Jacobean tragedy, including his self-styled ‘collaboration’ with Thomas Middleton on . (.), . (.), and . (2002), Barker’s revisitation of Hamlet.
共同时代
发表于 2025-3-27 19:43:42
Book 2017uildenstern are Dead. to Sarah Kane’s .Blasted .and Jez Butterworth’s .Jerusalem.. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should ins
引起
发表于 2025-3-28 01:38:25
2947-4043 ses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker..978-1-137-44453-0Series ISSN 2947-4043 Series E-ISSN 2947-4051
平
发表于 2025-3-28 02:24:34
Elizabethan and Jacobean Reappropriation in Contemporary British Drama‘Upstart Crows‘
看法等
发表于 2025-3-28 07:30:14
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