冠军
发表于 2025-3-21 19:28:01
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BLOT
发表于 2025-3-21 21:34:39
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PLAYS
发表于 2025-3-22 02:32:10
,Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s , and Wei Minglun’s , Play ,es on the similarities and differences between the two plays under study. Even though they have different (albeit related) hypotexts and their plots differ considerably, Brecht’s and Wei’s . adaptations resonate with each other with regard to their sociohistorical, philosophical, and political concerns.
新奇
发表于 2025-3-22 05:38:48
The Third Pillar: Pico and Kabbalism, have made in blending Brechtian theatre and ., traditional . techniques, and new theatre technologies, in creating a theatre experience that is both engaging and resonant with the socioeconomic and cultural realities of present-day China.
防锈
发表于 2025-3-22 09:42:44
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Cougar
发表于 2025-3-22 15:48:52
2945-7254 and appropriated by Chinese theatre artists.Contributes to t.This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century.
Cougar
发表于 2025-3-22 18:15:57
https://doi.org/10.1057/978-1-137-53911-3are undergoing as they face two compelling needs and apparently diametrically opposing forces: to preserve the artistic character of traditional . and to reform and modernize . to better meet the needs of contemporary audiences and to help this form survive.
Lament
发表于 2025-3-22 23:36:43
The Many Rooms of Holland House,in Asia. The discussion of the interconnectivity of the Marxist ideologies of Brecht and Mao paves the way for a study of the intertextual resonances between Brecht’s literary/dramatic works (e.g., his poems “The Other Side” and “Thoughts While Flying over the Great Wall”) and Mao’s political and literary writings.
偏见
发表于 2025-3-23 01:43:48
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Scintillations
发表于 2025-3-23 05:47:05
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