主动脉
发表于 2025-3-26 23:51:38
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patriot
发表于 2025-3-27 02:49:46
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Scintillations
发表于 2025-3-27 08:42:27
,Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s , and Wei Minglun’s , Play ,1806) based on a supposedly Persian story—Nizami Ganjavi’s . (.): one by Brecht under the title . (1953) and one by the Chinese dramatist Wei Minglun in .-style (Sichuan Opera) under the title . (1998 and 2012). After tracing their “urtexts” from Nizami Ganjavi to Gozzi to Puccini, the chapter focus
Immunoglobulin
发表于 2025-3-27 12:51:11
,Brecht and Mao Zedong: Two Sides of “The Other Side” and Twice Removed Vision of “Snow”, Mao’s revolutionary practice and writings from 1930s to 1950s, merged his understanding of classical Chinese philosophy, especially those elements that he found compatible with his understanding of Western philosophy and aesthetics, into the framework of his Marxist ideology. During this incubation
Manifest
发表于 2025-3-27 14:55:11
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残暴
发表于 2025-3-27 18:24:45
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Reclaim
发表于 2025-3-28 00:14:54
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大方一点
发表于 2025-3-28 03:01:48
Nordine Abidi,Bruno Buchetti,Samuele Crosetti,Ixart Miquel-Florestation of the Kemalist discourse of secularism. This debate, which was conducted by the intellectual elite in the first years of the multiparty period, was the first example of a civic discussion on a state policy restricting the freedom of religion in the name of secularism. The policy concerned th
本能
发表于 2025-3-28 07:28:51
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Shuttle
发表于 2025-3-28 10:27:55
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