分解 发表于 2025-3-25 06:19:46
The Many Rooms of Holland House, the Cultural Revolution as a uniquely interesting case of transcultural adaptation and provides a tentative comprehensive assessment of the Brechtian influence on the development of modern Chinese theatre over the last four decades.entice 发表于 2025-3-25 08:59:32
https://doi.org/10.1007/978-3-030-37778-6Bertolt Brecht; Chinese theatre; adaptation; xiqu; Verfremdungseffekt; Mao Zedong; Cultural Revolution; Tur担忧 发表于 2025-3-25 14:10:37
http://reply.papertrans.cn/23/2258/225741/225741_23.pngAbbreviate 发表于 2025-3-25 16:51:11
Conclusion, the Cultural Revolution as a uniquely interesting case of transcultural adaptation and provides a tentative comprehensive assessment of the Brechtian influence on the development of modern Chinese theatre over the last four decades.INCUR 发表于 2025-3-25 21:40:42
Chinese Adaptations of Brecht978-3-030-37778-6Series ISSN 2945-7254 Series E-ISSN 2945-7262obligation 发表于 2025-3-26 01:51:25
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Re-envisioning Theoretical PsychologyThis chapter introduces and defines the subject for the book, outlines its theoretical underpinnings in transcultural adaptation studies, the socio-historical, cultural as well as critical context, and provides a brief chapter-by-chapter summary of the research, analyses, and findings.MINT 发表于 2025-3-26 12:20:20
Introduction,This chapter introduces and defines the subject for the book, outlines its theoretical underpinnings in transcultural adaptation studies, the socio-historical, cultural as well as critical context, and provides a brief chapter-by-chapter summary of the research, analyses, and findings.羞辱 发表于 2025-3-26 15:30:01
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,One Director, Three Takes: Chen Yong’s Reinterpretations of ,, ,, and ,tor and one of the most prolific and noteworthy contemporary Chinese theatre artists at China Youth Art Theatre (one of the predecessors of the National Theatre of China today). This chapter examines Chen Yong’s directorial approaches in adapting Brecht’s plays in the three specific political and so