Titlebook: Chinese Adaptations of Brecht; Appropriation and In Wei Zhang Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

冠军

书目名称Chinese Adaptations of Brecht影响因子(影响力)




书目名称Chinese Adaptations of Brecht影响因子(影响力)学科排名




书目名称Chinese Adaptations of Brecht网络公开度




书目名称Chinese Adaptations of Brecht网络公开度学科排名




书目名称Chinese Adaptations of Brecht被引频次




书目名称Chinese Adaptations of Brecht被引频次学科排名




书目名称Chinese Adaptations of Brecht年度引用




书目名称Chinese Adaptations of Brecht年度引用学科排名




书目名称Chinese Adaptations of Brecht读者反馈




书目名称Chinese Adaptations of Brecht读者反馈学科排名

BLOT

PLAYS

,Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s , and Wei Minglun’s , Play ,es on the similarities and differences between the two plays under study. Even though they have different (albeit related) hypotexts and their plots differ considerably, Brecht’s and Wei’s . adaptations resonate with each other with regard to their sociohistorical, philosophical, and political concerns.

新奇

The Third Pillar: Pico and Kabbalism, have made in blending Brechtian theatre and ., traditional . techniques, and new theatre technologies, in creating a theatre experience that is both engaging and resonant with the socioeconomic and cultural realities of present-day China.

防锈

Cougar

2945-7254 and appropriated by Chinese theatre artists.Contributes to t.This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century.

Cougar

https://doi.org/10.1057/978-1-137-53911-3are undergoing as they face two compelling needs and apparently diametrically opposing forces: to preserve the artistic character of traditional . and to reform and modernize . to better meet the needs of contemporary audiences and to help this form survive.

Lament

The Many Rooms of Holland House,in Asia. The discussion of the interconnectivity of the Marxist ideologies of Brecht and Mao paves the way for a study of the intertextual resonances between Brecht’s literary/dramatic works (e.g., his poems “The Other Side” and “Thoughts While Flying over the Great Wall”) and Mao’s political and literary writings.

偏见

Scintillations