| 书目名称 | The Modern Supernatural and the Beginnings of Cinema | | 编辑 | Murray Leeder | | 视频video | http://file.papertrans.cn/915/914197/914197.mp4 | | 概述 | Provides a pre-history to the horror film..Examines the trope of cinema as a haunted or supernatural medium, both as it manifested in cinema‘s earliest years and its return in recent decades..Ties ear | | 图书封面 |  | | 描述 | This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. .The Modern Supernatural and the Beginnings of Cinema. locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, it also engages with the representations of cinema’s ghostly past in Guy Maddin’s recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film. | | 出版日期 | Book 2017 | | 关键词 | ghostly; haunted; spectral; projected image; supernatural displays; psychical research; telepathy; spirit p | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-58371-0 | | isbn_softcover | 978-1-349-84456-2 | | isbn_ebook | 978-1-137-58371-0 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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