书目名称 | The Artist as Animal in Nineteenth-Century French Literature | 编辑 | Claire Nettleton | 视频video | | 概述 | Highlights the French literary contribution to animal studies.Incorporates scholarship of French literature, animal studies, and visual culture.Examines the impact of Darwin’s theory of evolution on l | 丛书名称 | Palgrave Studies in Animals and Literature | 图书封面 |  | 描述 | .The Artist as Animal in Nineteenth-Century French Literature. traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the .fin de siècle.. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s .Manette Salomon .(1867), Émile Zola’s .Therèse Raquin. (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s .In the Sky .(1892-1893) and Rachilde’s .L’Animale .(1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions.. .Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment | 出版日期 | Book 2019 | 关键词 | nineteenth-century French fiction; animal studies; animals and literature; avant-garde artists; literatu | 版次 | 1 | doi | https://doi.org/10.1007/978-3-030-19345-4 | isbn_softcover | 978-3-030-19347-8 | isbn_ebook | 978-3-030-19345-4Series ISSN 2634-6338 Series E-ISSN 2634-6346 | issn_series | 2634-6338 | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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