Titlebook: Systems Engineering for Automotive Powertrain Development; Hannes Hick,Klaus Küpper,Helfried Sorger Reference work 2021 Springer Nature Sw

牲畜栏

Matthias Bajzek,Johannes Fritz,Hannes Hick narrative-based radiophonic work. We consider how the pandemic may have invited us to pause and reconsider how we document and archive the present to look back and better understand the future. Sound may be vital in understanding our environment and the socio-cultural shifts over time. This chapter

Callus

Matthias Bajzek,Johannes Fritz,Hannes Hick,Michael Maletz,Clemens Faustmann,Gerald Stieglbauerhors and performance rationales. Such dimensions are built from the specifics and constraints of DMIs and VEs; they include the level of immersion of musicians and spectators and provide an insight into the interaction techniques afforded by 3D user interfaces in the context of musical expression. W

jettison

Matthias Bajzek,Johannes Fritz,Hannes Hicke configurations that are crucial for an immersive and coherent experience. The idea of entanglement theory is here mainly declined in an egocentric spatial perspective related to emerging knowledge of the listener’s perceptual capabilities. This is an actively transformative relation with the digit

fulcrum

Johannes Fritz,Christian Zingel,Juha Kokko,Giulia Lenardon,Bernd Brierhors and performance rationales. Such dimensions are built from the specifics and constraints of DMIs and VEs; they include the level of immersion of musicians and spectators and provide an insight into the interaction techniques afforded by 3D user interfaces in the context of musical expression. W

connoisseur

rods366

等级的上升

小卒

listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills—skills required for making, recording, storing, retrieving, and listening to sound—in ensembles: sets of instruments and techniques

Intuitive

Michael Maletz,Matthias Bajzek,Hannes Hickntational deployment in communicating information has changed. In doing so, it aims to encourage critical awareness of some of the socio-cultural as well as technical assumptions often adopted in sonifying data, especially those that have been developed in the context of Western music of the last ha

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