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Titlebook: Sustainable Venice: Suggestions for the Future; Ignazio Musu Book 2001 Kluwer Academic Publishers 2001 Economic Development.Sustainable De

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书目名称Sustainable Venice: Suggestions for the Future
编辑Ignazio Musu
视频video
丛书名称Economics, Energy and Environment
图书封面Titlebook: Sustainable Venice: Suggestions for the Future;  Ignazio Musu Book 2001 Kluwer Academic Publishers 2001 Economic Development.Sustainable De
描述It is universally recognised that Venice and its lagoon are ofsuch value that they constitute an international public good that mustbe preserved for humanity as a whole. But such an ambitious taskrequires a diversified, sustainable set of economic activities, mostlyfocused on the production of services and non-material goods. Thiscomplex issue is analyzed using different approaches, with adiscussion of the case of Venice as an example of some of the mostrelevant problems concerning the relation between the environment anddevelopment in the contemporary world: the trade-off betweenpreserving an ecosystem and considering it as an economic resource;the evolution of different urban growth scenarios and the preservationof a physical habitat; the role of immaterial production in urbaneconomic development; the nature of tourism as a sustainable activity,considered from both from the environmental and cultural angles; theinstitutional aspect of governing a process of sustainable urbandevelopment. ..Readership.: A unique resource for environmental and urbanmanagers, policy analysts, students of sustainable development, andanyone else interested in the social and economic implications ofpres
出版日期Book 2001
关键词Economic Development; Sustainable Development; biodiversity; development; ecosystem; growth; production
版次1
doihttps://doi.org/10.1007/978-94-010-0692-7
isbn_softcover978-94-010-3788-4
isbn_ebook978-94-010-0692-7
copyrightKluwer Academic Publishers 2001
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Mauro Bon,Danilo Mainardi,Luca Mizzan,Patrizia Torricellinth century. If Shelley’s political oeuvre, as well as those texts that sport Titanic champions, possesses a clearly discernible focus, the lyrical section of his works remains somewhat of a rattlebag, depending on the definition of “lyrical.”. Many theories include two criteria: the speaker’s emoti
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Maurizio Rispoli,Francesco di Cesare,Andrea Stocchettithe Indian Caucasus for much of Acts I, II, and III, shifting scene to a cave beside a temple at Athens. in Act IV. The action takes place in the continuous present:. when the play opens, Prometheus has been bound to a precipice of icy rocks in the Caucasian mountains for three thousand years, ‘the
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Bruno Dente,Cinzia Griggio,Andrea Mariotto,Carolina Pacchiird section and Chapter 6 with the fourth section. The four chapters offer full readings of nine poems, three from each of the periods of Shelley’s life outlined in Chapter 2, and briefer comments on other poems, some of them related dispositionally rather than chronologically to the major poems und
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al causes, nor of its metaphysical and epistemological foundations. He was not what we would nowadays call a “theorist” of poetry, or of language more generally: not even in the senses in which Herder, Schlegel, Sainte-Beuve, or Arnold, let alone Heidegger or de Man, were theorists of these things.
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