Titlebook: Storytelling in the Media Convergence Age; Exploring Screen Nar Roberta Pearson,Anthony N. Smith Book 2015 Palgrave Macmillan, a division o

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Book 2015Why do screen narratives remain so different in an age of convergence and globalisation that many think is blurring distinctions? This collection attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan

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ction attempts to answer this question using examples drawn from a range of media, from Hollywood franchises to digital comics, and a range of countries, from the United States to Japan978-1-349-48192-7978-1-137-38815-5

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The , Journey: Brand Consistency and Cross-Media Intertextuality in Game Adaptation source for any adaptation’; and, (2) scholars should no longer engage in value-comparative studies that persistently devalue adaptations into newer media by negatively comparing their narratives and aesthetics with typically highbrow literature source texts.. In what follows, I take up two of Leitc

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Lengthy Interactions with Hideous Men: Walter White and the Serial Poetics of Television Anti-Heroes, a trend typically identified by the character type of the anti-hero. The rise of serial television’s anti-heroes raises a key question: why would we want to subject ourselves to lengthy interactions with such hideous men?.

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