Titlebook: Staging the Past in the Age of Thatcher; "The History We Have Anthony P. Pennino Book 2018 The Editor(s) (if applicable) and The Author(s),

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Anthony P. Penninos. Nowadays, ICT-based devices can offer several solutions aimed at supporting elderly population in their daily living and preserving and/or enhancing their quality of live and autonomy. The system developed within RADIO project presents itself as both a domestic robotic assistant and a monitoring

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Anthony P. Penninos. Nowadays, ICT-based devices can offer several solutions aimed at supporting elderly population in their daily living and preserving and/or enhancing their quality of live and autonomy. The system developed within RADIO project presents itself as both a domestic robotic assistant and a monitoring

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Anthony P. Penninoidual perceptions on privacy and, reliable and sound clinical information. Bridging this gap depends most of the time on the means (sensors) used to monitor clinically interesting activities and the state of the art of the technical methods that exploit these data. The level of obtrusiveness of usin

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2947-5767 ers a variety of disciplines including literature, theatre, This book investigates how the British theatrical community offered an alternative and oppositional historical narrative to the heritage culture promulgated by the Thatcher and Major Governments in the 1980s and early 1990s. It details the

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Competing Histories,development of Thatcherism as a political ideology, the promulgation of heritage culture projects, and reductions to arts funding. With regard to the latter, the chapter provides background to the decade leading up to the 1979 election, the challenges the playhouses faced before and after that elect

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,Plays of the Second Thatcher Ministry: “Demolition Needs a Drawing, Too”,atcher Ministry focused on the nineteenth century, the plays and productions of this ministry cast a much wider net. Pennino contends that David Edgar’s ., a work in the shadows of ., deploys all the tools necessary in successfully dramatizing an oppositional history. He further demonstrates that Sa