Titlebook: Sozialkapital und Reziprozität im Werk von Coleman und Bourdieu; Eva-Maria Schultze Book 2022 Der/die Herausgeber bzw. der/die Autor(en),

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Eva-Maria Schultzeoliberal, globalized societies.Examines a wide range of mediThis book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world. At what price? What ethical and political conundrums does the

grovel

Eva-Maria Schultzeplores the underlying assumptions about the nature of ‘place’ that underpin all three policy areas, and that instate place as ‘naturally’ tied to familiarity, sameness and stasis. This then becomes a way to tell a singular story about the local that produces difference as inevitably problematic and

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Eva-Maria Schultzeplores the underlying assumptions about the nature of ‘place’ that underpin all three policy areas, and that instate place as ‘naturally’ tied to familiarity, sameness and stasis. This then becomes a way to tell a singular story about the local that produces difference as inevitably problematic and

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Eva-Maria Schultzeti-academisation. Our objectives are to realise the potential of drama, and specifically of a Brechtian-inspired aesthetic, to foreground rich truths about the phenomenon. We do this through materialising the symbolic, symbolising the significant insights and themes, embodying the reported tensions

minaret

Eva-Maria Schultzemunities, with widening divisions between the advantaged and the disadvantaged. Locally, the issues of social justice and equity in education are being addressed via curricular and policy-oriented reform, within a society welcoming an ever-increasing influx of migrants and a local economic reality w

山间窄路

Eva-Maria Schultzeackney. Briggs was returning home from a weekly excursion to visit a family member in Peckham, a routine journey he had made countless times, but on this particular occasion it was destined to become infamous in the annals of crime. When passengers at Hackney boarded the first class compartment form

commune

Eva-Maria SchultzeThe Bantrys, hapless owners of Gossington Hall in Agatha Christie’s . (1942), have no idea who she is or how she got there. So begins one of the quintessential texts of the Golden Age, so redolent of its genre that it has acquired a metonymical relationship with the classic detective story. In her A

滔滔不绝的人

不真

Eva-Maria Schultzerity fences, heavily policed coastal waters and the boundaries of the nation-state in Europe with its powerful legacy of coloniality pushing borders further and further into Africa. Although the majority of those migrating in Africa move within the continent, sufficient numbers have attempted to ent

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