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Titlebook: Social Change and Personality; Essays in Honor of N Mervin B. Freedman Book 1987 Springer-Verlag Berlin Heidelberg 1987 Gender.Nation.anato

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Mervin B. Freedmant her daughter’s re-enslavement. Through the novel’s depiction of the troubled mother/daughter relationship of Sethe and Beloved, the creative re-enactment of Garner and her daughter, Morrison transforms the archive’s erasure of Garner’s story into a literary testimony to trauma.
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Joseph Axelrodto breathe.” The dark swoops, a symbol of Olanna’s temporary madness, can also be interpreted as a characterization of Nigeria’s experience with colonialism. In this essay, Williams specifically explores the intersection of personal and national traumas and gendered representations of madness.
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M. Brewster Smithreplaced by a more psychosocially nuanced, and often self-defined, notion of ‘ethnicity’. As sociologist Stuart Hall puts it, the term ethnicity ‘acknowledges the place of history, language and culture in the construction of subjectivity and identity, as well as the fact that all discourse is placed
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United States. Moving from an over-reliance on the “madwoman” as a romanticized figure constructed in opposition to the status quo, contributors to this volume examine how black women authors use madness, trauma, mental illness, and psychopathology as a refraction of cultural contradictions, psychos
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Mervin B. Freedmantory is to burn up in the feverish pursuit of the past. The archive thus testifies at once to the violence of forgetting and the desire to know—a desire that is aligned as much with the past as it is with the future. Taking Derrida’s concept as a lens through which to examine the archive’s disavowal
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Christian Baynd could easily be an experimental novel that comments upon the madness of a British legal system that, in the historic case of the slave ship ., labeled 150 deliberately drowned Africans as lost “goods” to be insured. Philip’s work is both a translation (in the Latinate sense, a “carrying over/remo
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