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Titlebook: Small Cinemas of the Andes; New Aesthetics, Prac Diana Coryat,Christian León,Noah Zweig Book 2023 The Editor(s) (if applicable) and The Aut

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发表于 2025-3-21 19:44:54 | 显示全部楼层 |阅读模式
书目名称Small Cinemas of the Andes
副标题New Aesthetics, Prac
编辑Diana Coryat,Christian León,Noah Zweig
视频video
概述Considers a series of artisanal small cinemas as a series of highly localized, hybridized, identitarian enunciations.Looks at cinemas that exist outside of national film industries to examine undergro
图书封面Titlebook: Small Cinemas of the Andes; New Aesthetics, Prac Diana Coryat,Christian León,Noah Zweig Book 2023 The Editor(s) (if applicable) and The Aut
描述.This book examines the emergence of small cinemas of the Andes, covering digital peripheries in Ecuador, Bolivia, Peru and Colombia. The volume critically assesses heterogeneous audiovisual practices and subaltern agents, elucidating existing tensions, contradictions and resistances with respect to established cinematic norms. The reason these small cinematic sectors are of interest is twofold: first, the film markets of the aforementioned countries are often eclipsed by the filmmaking giants of Mexico, Brazil and Argentina; second, within the Andean countries these small cinemas are overshadowed by film board-backed cinemas whose products are largely designed for international film festivals..
出版日期Book 2023
关键词Andes cinema; Small cinemas; Community cinema; National cinemas; Regional cinema; Digital film industry; I
版次1
doihttps://doi.org/10.1007/978-3-031-32018-7
isbn_softcover978-3-031-32020-0
isbn_ebook978-3-031-32018-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 21:15:41 | 显示全部楼层
Filming the Andes: Contemporary Aesthetic Configurations of the Andean World decades. The author considers the ways in which the notion of “small(er) cinemas” contributes to studying the diversity of cinemas produced in the Andean region, since doing so permits her to discuss both the conditions of production and the deployment of “small cinemas” in this unique context.
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Peruvian Regional Cinema for its emergence, describes the profiles of regional filmmakers and explains how the production, filming, distribution and exhibition systems of regional films work. The chapter also analyzes the genres, as well as the narratives, used in these films. Finally, the analysis considers support provided by the state for regional filmmaking.
发表于 2025-3-22 12:44:12 | 显示全部楼层
Introduction: Theorizing and Contextualizing Small(er) Cinemas of the Andes,diovisual sectors in Ecuador, Bolivia, Peru and Colombia. The contributors of this volume’s sixteen chapters were invited to critically examine the heterogeneous audiovisual practices, emergent discourses and subaltern agents that they study through the concept of “small(er) cinemas,” as elaborated
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Technological Appropriation and Audiovisual Sovereignty in an Indigenous Keyollectives dedicated to the production of audiovisual content could be counted on one hand. Today a complex scenario has emerged that includes different modes of production, practices, aesthetics and strategies involving more than sixty Indigenous collectives. This chapter introduces the analytical
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