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Titlebook: Six Contemporary Dramatists; Bennett, Potter, Gra Duncan Wu Book 1996 Duncan Wu 1996 bibliography.drama.dramatist.edition.ethics.interview.

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Duncan Wuta should provide a good measurement of who participates, for what reasons and in what types of education and training activities. But furthermore, it is also crucial that data about education and training opportunities and social policy indicators are available, which can be matched with the indivi
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Introduction: Intangible Commodities,. As with other literary forms, meanings lie beneath the surface of the text, and sometimes we — as theatregoers, actors, directors, or simply as students of the play — may find it helpful to have these outlined. This volume aims to offer such a guide, and in doing so concentrates on works available to the reader in print.
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Simon Gray: Numbness of the Heart,ly, I suppose, momentarily a touch dizzy — a touch . — or touched . something — and the house, the garden — well, you remember that first afternoon when we all met, and Nigel and Natalie were here hiding all the time, but you were so frightened and thought they’d been trampled to death by old Tomali
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David Hare: A Milder Day,ne I pose a question. I am the question.’. What might be a plausible alibi for any politically correct playwright of the 1990s is, in the mouth of Lambert Le Roux, the corrupt newspaper baron of . (1985), a declaration of ethical bad faith. Le Roux’s aim, to divest people of their ideals, can bear o
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Alan Ayckbourn: Beyond Romanticism,ur time?’. ‘All I’m saying’, ‘that’s all’: the verbal tics that punctuate the question posed by the television reporter in Alan Ayckbourn’s ., suggest that by 1988 it was too obvious to be worth asking. They serve also to camouflage the implied political critique; after all, complicity is the theme
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