Titlebook: Sir Philip Sidney And The English Renaissance; John Buxton Book 1987 Palgrave Macmillan, a division of Macmillan Publishers Limited 1987 E

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The Education of a Patron,d II; Gower tells us how he met King Richard on the Thames, and was commanded to write the .King Henry VIII welcomed the poets to his court, as he welcomed all artists and scholars, whether Englishmen, Germans, or Italians, whom he could entice thither. In the first twenty years of Elizabeth’s reign

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Experiments for a New Poetry,he happiest and most productive periods of his life were spent in her company at Wilton. After his death she gathered there the poets and men of letters to continue her brother’s work, so that (as Aubrey says) ‘In her time Wilton house was like a College, there were so many learned and ingeniose per

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A Generall Maecenas of Learning,between the Queen and the Duke of Anjou. Sidney was known, at least since the tennis-court quarrel with the Earl of Oxford in the summer, as an opponent of the marriage; and in the winter he undertook the invidious task of urging the arguments against it in an open letter to the Queen. Leicester and

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Epilogue,h language had developed from something that might be serviceable for giving practical instruction to those who knew no Latin, into the subtle and delicate medium in which Shakespeare could record the infinite variety of mankind. Already in 1598 Francis Meres had said ‘that the Muses would speak wit

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The Education of a Patron,, apart from the Queen herself, there were courtiers who were glad to win reputation for patronage of the arts, and among them the Earl of Leicester held an honoured place. Thomas Drant, Archdeacon of Lewes, was not the most distinguished of those who addressed him as Maecenas, but he may speak for the others in some jog-trot lines to Leicester,

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