Titlebook: Shelley; R. B. Woodings Textbook 1968Latest edition Macmillan Publishers Limited 1968 Britain.history of literature.literature.nineteenth

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oxidant

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FADE

In Defence of Shelley (1963),onsists in the realisation that the artist has a social responsibility. For Shelley, ‘poets, not otherwise than philosophers, painters, sculptors, and musicians, are, in one sense, the creators, and, in another, the creations of their age’.. They ‘express the influence of society or nature upon thei

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原谅

,A Volcano’s Voice in Shelley (1957),or Grabo has made it clear that he regards even Shelley’s use of science as ultimately mystical. Those concerned with his social interests, on the other hand, concentrate on biography and Radical theory, and will not touch the symbols at any price.

malapropism

The Secrets of an Elder Day: Shelley after ,ritic. believes is all derived from a single vision, a vision that contradicts the whole of Shelley’s earlier major poetry. Both of these relationships, however, are themselves explicable only in terms of the development (or lack of it) in Shelley’s thought between, for example, . and ..

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