Titlebook: Shakespeare on the Arabian Peninsula; Katherine Hennessey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Shakespeare and a

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Chapter 2. Sparking Debate: Shakespeare in the University Classroom,ty level classes, presented in seminars and public events, and celebrated at conferences and symposia, and what types of classroom and public discussions can spring up around them in the face of the Gulf’s constraints on academic freedom and free speech. The chapter opens with a brief consideration

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Chapter 3. Challenging Segregation: Shakespeare in Performance at Gulf Universities,s or at US and European branch campuses or offshoots. Yet, as the author argues, in both directorial vision and audience reception, these performances are often intimately imbricated with contemporary local debates about sexuality, national, sectarian and gender identity, and politics. Among the per

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,Chapter 5. Creating Communities: Shakespeare and “New Local” Theatre in the UAE and Qatar,oupes, run by expatriates or by nationals, using English as a lingua franca. Such troupes’ efforts act as a counterbalance to forces that render Gulf communities segregated and transient by providing an alternative and inclusive framework for participation in urban life and civil society—a framework

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Chapter 7. Modeling Inclusion: Shakespeare in Kuwait,British-Kuwaiti playwright Sulayman Al Bassam and the plays performed by his theatre companies Zaoum and SABAB. These include ., . and his . (AST): ., . and . (a play structured around an adaptation of .). The AST has received substantial scholarly commentary, but this chapter represents a groundbre

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,Conclusion: The Peninsula in 2016, the “Year of Shakespeare”,an crisis in Yemen effectively precluded 2016 celebrations of Shakespeare there (and also prevented the Shakespeare’s Globe round-the-world tour of . from reaching Yemeni soil). In the Gulf, conversely, results were mixed: British Council-themed events met with varying degrees of success, and numero

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,Chapter 1. “Abstract and Brief Chronicles”: Shakespeare on the Peninsula in the Twentieth Century, and a Saudi appropriation of .. The author argues, among other things, that though twentieth-century Shakespeare performances are sporadic they are not random. Rather, they occur at moments of local or national transformation, often critiquing or meditating upon those moments’ significance.