Titlebook: Shakespeare and Renaissance Literature before Heterosexuality; Rebecca Ann Bach Book 2007 Rebecca Ann Bach 2007 English literature.King Le

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century, Shakespeare‘s plays and other Renaissance texts were adapted to make them conform to these modern ideas.Through readings of Shakespearean texts, including King Lear, Antony and Cleopatra, and Othello, and other Renaissance drama, the book reveals a sexual world before heterosexuality. Shak

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Book 2007d Renaissance Literature Before Heterosexuality shows how revisions and criticism of Renaissance drama contributed to the emergence of heterosexuality.It also shows how changing ideas about status, adultery, friendship, and race were factors in that emergence.

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Book 2007Shakespeare‘s plays and other Renaissance texts were adapted to make them conform to these modern ideas.Through readings of Shakespearean texts, including King Lear, Antony and Cleopatra, and Othello, and other Renaissance drama, the book reveals a sexual world before heterosexuality. Shakespeare an

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,“Domestic Tragedy” and Emerging Heterosexuality,e can see a later genealogy of heterosexuality. In addition, twentieth-century reception of these plays shows us what is visible and invisible through heterosexuality’s fully ground lens: this reception has ignored the plays’ homosocial structures and has seen heterosexuality before it was born.

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The Homosocial ,: Sex, Men, and Women before the Valorization of Lust and Greed,ows the “way to Douer.” By way of a reply, Tom complains that he has been “scarr’d out of his good wits” (TLN 2245–2247; 4.1.56–57). In the quarto version of the play, Tom elaborates, saying that he has been possessed by “Fiue fiends,” the first of which is the fiend of “lust” (H3). In its quarto ve

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Restoration Shakespeare 1: Adultery and the Birth of Heterosexuality,cal, and courtly love heritage.. This understanding of desire anticipated devastating consequences for male-female sexual appetite. In a primary Biblical example, Samuel’s King David falls in love with Uriah the Hittite’s wife, Bathsheba, and manages his adulterous affair by having Uriah killed in b

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Restoration Shakespeare 2: Friends and Libertines,inary. For a short but crucial period of time, possession of a mistress became a possibility for elite men and even, temporarily, a condition of masculinity. Despite the efforts of men such as Collier, this new (hetero)sexually desirous masculinity became so dominant that Alexander Pope wrote in its

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,“Domestic Tragedy” and Emerging Heterosexuality,h-century authors also rewrote more minor works, including two of the central plays in the genre we now call “domestic tragedy.” In 1943, Henry Hitch Adams defined and codified that genre to account for a group of plays written in the late sixteenth and early seventeenth centuries that in his eyes p