Titlebook: Sexuality and its Queer Discontents in Middle English Literature; Tison Pugh Book 2008 Palgrave Macmillan, a division of Nature America In

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Queering Harry Bailly: Gendered Carnival, Social Ideologies, and Masculinity Under Duress in the ,,’ ”. and William Keen sees in Harry a sufficiency of “heroic qualities… to recommend his services to pilgrims who must pass where perils may lie.”. Indeed, Chaucer’s first description of the Host underscores his vibrant masculinity:

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Introduction: Sexuality and its Queer Discontents in Middle English Literature,y interests lie with those who have queerness thrust upon ‘em—the male agents and actors who, through their interactions and affinities with others, become marked with and/or compelled to embody queerness before being identified as normatively (hetero)sexual males.. The construction of normative mas

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Queering Harry Bailly: Gendered Carnival, Social Ideologies, and Masculinity Under Duress in the ,,rgeois masculinity,”. as well as a “recognizable type of the proud man.”. Walter Scheps asserts that “Harry is, even more than the monk, ‘a manly man,’ ”. and William Keen sees in Harry a sufficiency of “heroic qualities… to recommend his services to pilgrims who must pass where perils may lie.”. In

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From Boys to Men to Hermaphrodites to Eunuchs: Queer Formations of Romance Masculinity and the Haging their audiences to sexuality’s often coercive ideological force.. Anna Klosowska remarks that “romance is, to a good extent, a narrative that legitimates a symbolic order, a narrative that… legitimizes institutions,”. and sexuality serves as a primary measure of romance’s ideological complicity w

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Conclusion: Compulsory Queerness And The Pleasures Of Medievalism,ectual passion over other vocational and avocational pursuits, we resist the tide of anti-intellectualism prevalent in today’s culture and stake a claim for a decidedly atypical career.. Although I cannot make vast claims about the personal values of medievalists as a whole, our decisions to enter t