Titlebook: Serial Crime Fiction; Dying for More Jean Anderson,Carolina Miranda,Barbara Pezzotti Book 2015 The Editor(s) (if applicable) and The Author

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Serializing Evil: David Peace and the Formulae of Crime Fictiontempts at reversing a ‘grammar’ (Eco 1969, 123–62) that readers have learned to understand as fixed. Peace writes principally crime series, from the so-called . to the still incomplete ., and we know that they do demand — as subgeneric manifestations of crime fiction in general — a defined set of pa

轻而薄

Morphine

Andrea Camilleri’s Imaginary ,: Between Formula and Innovationnd his novels have been translated into Greek, Norwegian, Turkish, Lithuanian, Japanese, Estonian, Hungarian and Gaelic as well as the most commonly used languages (Novelli 2002, 1650–1). Among other acknowledgements, in 2008 he was included in the list of ‘50 crime writers to read before you die’ c

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AMBI

Serializing Sullivan: Vian/Sullivan, the , and the livan’s authorial identity. This process has included a complex relationship with Gallimard’s ., translation and branding. To understand the impact of this relationship we will briefly compare his case with that of Douglas Kennedy, a contemporary example of another authorial identity forged and then reforged in French translation.

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忍耐

The Maturity of Lord Peter Wimsey and Authorial Innovation Within a Serieserary. As the plots and milieus of the series become increasingly conceptual, multilayered and reflective of the world in which they were created, Wimsey himself develops and matures as a literary character.

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不溶解

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2947-8340 ent of the serial form, implications of the setting, and marketing of the series, it studies authors such as Doyle, Sayers, Paretsky, Ellroy, Marklund, Camilleri, Borges, across print, film and television.978-1-137-48369-0Series ISSN 2947-8340 Series E-ISSN 2947-8359