Titlebook: Screening European Heritage; Creating and Consumi Paul Cooke,Rob Stone Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Histo

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Genome

Towards World Heritage Cinema (Starting from the Negative)on the left to be a correlate of Thatcherite ideology. For these scholars, heritage cinema was a conservative and ideologically unsound form that proffered ‘a highly selective vision of Englishness attached to pastoral and imperial values where the past as spectacle [became] the main attraction’ (Vi

MANIA

Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footages that have surrounded heritage cinema ever since Andrew Higson coined the term spring from the fact that it offers a ‘clear explanatory model [that] makes things look simple […] because it confers a pleasing symmetry onto the seeming chaos of cultural forms’ (Harper 2004: 140). The vibrant critical

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Cryptic

Spectral Spanish Heritage: The Hauntology of , (,)rs to as an ‘imagined community’ (1991: 6). The problematic nature of such a strategy, a reflection of a fundamentally reductive understanding of Spanish heritage upon which Francoism was based, is conveyed by Ernest Gellner’s belief that nationalism ‘is not the awakening of nations to self-consciou

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corpuscle

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Limited