Titlebook: Science, Mind and Art; Essays on science an Kostas Gavroglu,John Stachel,Marx W. Wartofsky Book 1995 Springer Science+Business Media Dordre

教条

书目名称Science, Mind and Art影响因子(影响力)




书目名称Science, Mind and Art影响因子(影响力)学科排名




书目名称Science, Mind and Art网络公开度




书目名称Science, Mind and Art网络公开度学科排名




书目名称Science, Mind and Art被引频次




书目名称Science, Mind and Art被引频次学科排名




书目名称Science, Mind and Art年度引用




书目名称Science, Mind and Art年度引用学科排名




书目名称Science, Mind and Art读者反馈




书目名称Science, Mind and Art读者反馈学科排名

Console

Relational Morality: Which Relations, Which Morals?ten years I have continued to think about liberal moral constructions and feminist responses to them, often working by immanent critique. In this article I extend this process by exploring the plural notions of society and morality in liberal thinking that become evident when we consider their gender and class relations..

讨厌

Knowing Good and Evil ... (Genesis 3: 5B)at is to be shunned and avoided—is an arbitrary one or whether it reflects some more basic experiential distinction. We shall claim that Husserl’s basic insight that reality is primordially a ., a ., enables us to claim that the distinction of good and evil does indeed have an ontological justification: some things sustain life, others destroy it.

恃强凌弱

Blanch

Is Judaism Thiswordly? point to Bob’s affinities with and nurturance by the tradition of Isaiah and the reversibility of Weber’s concept of secularization. To him and to our more than two decades of the most delightful friendship, of reflecting upon and meeting “the ‘demands of the day’ in human relations as well as in our vocations,” I joyfully dedicate these musings.

SEMI

Art as a Product of Nature as a Work of Art scientific creativity and of the thought that enters into a work of art. Computer art, fractals, electronic music, film, debates about the role of metaphor and imagery, the whole enterprise of deconstruction have further lessened the urge for precise classifications. Yet the remaining differences a

Onerous

Neo-Pragmatism and the New Aesthetico causes. First, there was the translation of all philosophical questions into the language of the positive sciences. Second, there was the translation of Hegel’s rational metaphysics into the febrile, pragmatic, subjectivism of Croce and Gentile.

microscopic

The Reader’s Progress: Remarks on Arnold Hauser’s Philosophy of Art Historyan journal of philosophy.. Although one discussed epistemology and the other aesthetics, their theoretical premises, modes of argumentation, and suggested solutions were so close that, had these papers been preserved anonymously, readers of a later generation would probably have attributed them to t

debase

Chameleon