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Titlebook: Rules of the Father in The Last of Us; Masculinity Among th J. Jesse Ramirez Book 2022 The Author(s), under exclusive license to Springer N

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发表于 2025-3-21 17:05:59 | 显示全部楼层 |阅读模式
书目名称Rules of the Father in The Last of Us
副标题Masculinity Among th
编辑J. Jesse Ramirez
视频video
概述Explores whether The Last of Us creates a feminist experience for the mass audiences of violent AAA videogames.Combine the popular playthrough format and academic videogame studies
丛书名称Palgrave Studies in (Re)Presenting Gender
图书封面Titlebook: Rules of the Father in The Last of Us; Masculinity Among th J. Jesse Ramirez Book 2022 The Author(s), under exclusive license to Springer N
描述.Widely regarded by critics and fans as one of the best games ever produced for the Sony Playstation, .The Last of Us. is remarkable for offering players a narratively rich experience within the parameters of cultural and gaming genres that often prioritize frenetic violence by straight white male heroes. .The Last of Us. is also a milestone among mainstream, big-budget (AAA) games because its development team self-consciously intervened in videogames’ historical exclusion of women and girls by creating complex and agentive female characters. The game’s co-protagonist, Ellie, is a teenage girl who is revealed to be queer in .The .Last of Us: Left Behind. (DLC, 2014) and .The Last of Us II. (2020). Yet .The Last of Us. also centers Joel,  Ellie’s fatherly protector..How is patriarchy, the rule of the father, encoded in rule-based systems like videogames? How does patriarchal rule become an algorithmic rule and vice-versa? These questions are at the heart of this book, the first comprehensive scholarly analysis of the zombie apocalypse/ action-adventure/ third-person shooter videogame .The Last of Us. (2013). On the one hand, the book is a close, extended study of .The Last of Us. an
出版日期Book 2022
关键词The Last of Us; Masculinity in videogames; Patriarchy in videogames; Feminism in videogames; Games studi
版次1
doihttps://doi.org/10.1007/978-3-030-89604-1
isbn_softcover978-3-030-89606-5
isbn_ebook978-3-030-89604-1Series ISSN 2662-9364 Series E-ISSN 2662-9372
issn_series 2662-9364
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2022
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发表于 2025-3-21 21:24:11 | 显示全部楼层
Introduction: Spoiler Alert,ok is an intervention in the standard metagame’s bargain with hegemonic masculinity. The introduction then historically situates . at the intersection of the casual gaming era and the neoliberal negation of society, which has catalyzed far right revolts. Finally, the introduction proposes to interpr
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Quarantine Zone: American Dystopiaederal Disaster Response Agency (FEDRA) in relation to the neoliberal state and the concept of militarized masculinity; describes gameplay mechanics and how they combine with fiction to win the player’s consent; and interprets the meanings of the Cordyceps virus.
发表于 2025-3-22 09:42:05 | 显示全部楼层
Bill’s Town: No Country for Gay Menild’s otherness. The chapter also interprets the character Bill, focusing on the ways his homosexuality negatively contrasts to Joel’s straight fatherly masculinity and helps to stabilize Ellie’s heterosexuality.
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Bus Depot, Firefly Lab, Jackson: What a Dad’s Gotta Doharacter development splits from Joel. While Joel wants to live in isolation with Tommy’s community, Ellie wants to help create a vaccine. The chapter examines Marlene’s decision to sacrifice Ellie for the vaccine and argues that the game’s preferred meaning is that Joel is justified in his decision
发表于 2025-3-23 03:42:52 | 显示全部楼层
Conclusion: Good Riddance, Joel!’s interpretation of the ending, which can be characterized as a metagame for meditating on the philosophical dilemmas of parental love, the chapter proposes instead that . fuses parental love to the antisocial individualism, fatalistic necessity, and collapsed expectations of the late neoliberal er
发表于 2025-3-23 07:58:39 | 显示全部楼层
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