Titlebook: Romantic Paganism; The Politics of Ecst Suzanne L. Barnett Book 2017 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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书目名称Romantic Paganism影响因子(影响力)学科排名




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书目名称Romantic Paganism网络公开度学科排名




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书目名称Romantic Paganism被引频次学科排名




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书目名称Romantic Paganism读者反馈学科排名

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,“Prattling about Greece and Rome”: Paganism, Presumption, and Gender,ry critics as both presumptuous and either troublingly sensual or suspiciously effeminate. By adopting classical tales by Ovid and Sappho, women writers could circumvent the taboo against women writing about sexuality and avoid (or forestall) critical censure. Keats’ and Hunt’s “pretty paganisms” an

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Introduction: Pretty Paganisms and Satanic Schools, Barnett also defines many of the project’s key terms including, of course, “pagan,” which in the context of this project signals a way of thinking about sexuality and other sensual pleasures, music, excess, joyous celebration, and communal experiences as both conscious subversion and literary experimentation.

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2946-3017 ritish Romanticism.Explores the idea that the Shelley circleThis book addresses the function of the classical world in the cultural imaginations of the second generation of romantic writers: Percy Shelley, Mary Shelley, Thomas Love Peacock, John Keats, Leigh Hunt, and the rest of their diverse circl

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Book 2017 Shelley, Thomas Love Peacock, John Keats, Leigh Hunt, and the rest of their diverse circle. The younger romantics inherited impressions of the ancient world colored by the previous century, in which classical studies experienced a resurgence, the emerging field of comparative mythography investigat