Titlebook: Role-Playing Games of Japan; Transcultural Dynami Björn-Ole Kamm Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

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老人病学

,Games—Playing with Borders of Reality, or the First Act,nting the concept of . to sum them up. This chapter deals with different modes of ordering this practice, with a focus on its trajectory to and from Japan, followed by a literature review on the specialist discourse of game design as well as governmental concerns about escapism, the flight from “reality.”

隐语

,After Play—Knowledge (and) Practices,ct? The chapter wraps up with a summary of the ordering conflicts entangling the assemblage. It delivers a contingent sketch of the possibilities of role-playing games and the uncertainties revolving around their dynamics and ordering in Japan and beyond: The assemblage of role-playing is more than one and less than many.

slipped-disk

Book 2020d fluidities in a global context. Currently, non-digital RPGs are experiencing a second boom worldwide and are increasingly gaining scholarly attention for their inter-media relations. This study concentrates on Japan, but does not emphasise unique Japanese characteristics, as the practice of embody

废墟

祖传

,Stereotypes—The Agency of Labels, or the Second Act,murder and fandom in Japan. These disputes played major roles in tracing the agencies of stereotypes, in how stereotypes make people act. Both debates still impact discussions on Internet forums but also actualisations at game tables.

fibroblast

,Mediation—Counterpoints of Dis/Connection, or the Third Act,s who play at being spokespersons for the collective of role-playing. Some of them want to promote not only elements of the practice of role-playing but seek to carve a space for themselves at the same time.

键琴

Rejuvenate

委托