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Titlebook: Ritual Structures in Chicana Fiction; Helane Androne Book 2016 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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书目名称Ritual Structures in Chicana Fiction
编辑Helane Androne
视频videohttp://file.papertrans.cn/831/830841/830841.mp4
概述Analyzes in depth how ritual shapes the performance of culture, gender, and language in texts by Chicana women.Offers a compelling synthesis of literary theory with spiritual, nationalist, communal, a
丛书名称Literatures of the Americas
图书封面Titlebook: Ritual Structures in Chicana Fiction;  Helane Androne Book 2016 The Editor(s) (if applicable) and The Author(s), under exclusive license to
描述This book argues for the necessary and further examination of the sacred as it is ritualized within Chicana fiction. It suggests that religious, spiritual, linguistic and political symbolisms reveal rites that structure narrative performances of coping with and healing from trauma. Helane Androne examines these rites of spirit, service, and story as they occur in Ana Castillo’s .So Far From God., Denise Chávez’s .Face of An Angel., and Sandra Cisneros’ .Caramelo.. Beginning with the implications of Gloria Anzaldúa’s spiritual vision of Chicana identity alongside structural principles of ritual criticism, this study extends the discourse about the impact of the sacred in Chicana fiction. an>
出版日期Book 2016
关键词Chicana fiction; Chicano/a studies; Hispanic American fiction; Feminist fiction; Ritual studies; Latina F
版次1
doihttps://doi.org/10.1057/978-1-137-58854-8
isbn_ebook978-1-137-58854-8Series ISSN 2634-601X Series E-ISSN 2634-6028
issn_series 2634-601X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature America,
The information of publication is updating

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,Reality Shifts: The Language of Nahuala in Sandra Cisneros’ ,,ard becoming the storyteller for her family. Thinking about these performances allows recognition that the structure of the text and the experiences within it are part of various ritualizations that bind Celaya’s family.
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,“An Actress in a Play”: Service as Sacred Performance in Denise Chávez’s ,,imary sacred principle with which to contend and through which other issues are considered. The chapter goes on to discuss the rite of passage resolving how service will be defined for Soveida Dosamantes and how that ritualization involves a complex negotiation through the stories of the women in he
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