Titlebook: Rhetorics of the Americas; 3114 BCE to 2012 CE Damián Baca,Victor Villanueva Book 2010 Damián Baca and Victor Villanueva 2010 America.amyot

讨论小组

书目名称Rhetorics of the Americas影响因子(影响力)




书目名称Rhetorics of the Americas影响因子(影响力)学科排名




书目名称Rhetorics of the Americas网络公开度




书目名称Rhetorics of the Americas网络公开度学科排名




书目名称Rhetorics of the Americas被引频次




书目名称Rhetorics of the Americas被引频次学科排名




书目名称Rhetorics of the Americas年度引用




书目名称Rhetorics of the Americas年度引用学科排名




书目名称Rhetorics of the Americas读者反馈




书目名称Rhetorics of the Americas读者反馈学科排名

critic

横截,横断

META

Ischemic-Stroke

,Translating Nahua Rhetoric: Sahagún’s Nahua Subjects in Colonial Mexico,58 and 1577. His efforts led to the production of an illustrated bilingual manuscript now known as the ., the most exhaustive resource ever pro- duced to study a pre-Hispanic culture in the Americas during the six- teenth century. Twelve books arrange the subject into basic categories introducing th

Atmosphere

Practicing Methods in Ancient Cultural Rhetorics: Uncovering Rhetorical Action in Moche Burial Ritustinct rhetorical traditions of various communities without resorting to the deficiency model often produced in comparative work. Scholars such as Malea Powell, Damian Baca, LuMing Mao, and Kermit Campbell, in particular, model various ways in which to recover ancient rhetorical-cultural practices t

草率男

感激小女

: La Malinche and Nepantlisma,ative center. Nahuatl alphabetic texts naturally postdate this destruction after which Franciscans taught Aztecs to inscribe their own language using the Western alphabet. Before genocide and conquest, Mesoamerican discursive traditions were strongly reinforced by ., the pictographic manuscripts whi

讽刺

In Search of the Invisible World: Uncovering Mesoamerican Rhetoric in Contemporary Mexico,possible to authentically represent his language when writing on paper. In his poem “Who are we? What is our name?” de la Cruz refers to pre-Hispanic times where he envisions writing as more expansive, where its surfaces could be found in nature, songs, and adornments.. The poet’s anguish implies th

废墟

,“When They Awaken”: Indigeneity, Miscegenation, and Anticolonial Visuality,festos have become foundational within my body of current work as I struggle to theorize about and through Indigenous, Latina/o, and anticolonial visual culture. These important and paradigmatic for- mulations, spoken nearly a century apart, demonstrate the diversity and continuity between and among