Titlebook: Revisiting Holocaust Representation in the Post-Witness Era; Diana I. Popescu,Tanja Schult Book 2015 The Editor(s) (if applicable) and The

declamation

contradict

‘A Picnic Underpinned with Unease’: , and New Genre Polish-Jewish Memory Work Polish republic, has only a small Jewish presence today, but over the last two decades has come to recognize and work through the painful Jewish past with an increasing intensity. After Communism fell and this past was released from state censorship, there was a flood of publicly suppressed informa

尊重

The Limits of Forgiveness and Postmodern Artilosopher Jacques Derrida recognized that ‘the call to forgiveness finds itself … reactivated, remotivated, accelerated’ (Derrida, 2001: 33). But when confronted with the Holocaust, an event repeatedly deemed beyond com-prehensibility, how do we even begin to consider reaching a level of peace or re

凶兆

concubine

Questions of (Re) Presentation in Uwe Boll’s , (2011)dren suffocate to death in a gas chamber, the 49-second clip instantly provoked public and critical outrage from both within Boll’s native Germany and around the world. Tom Goldman from the online magazine . described the trailer as ‘disturbing and gruesome’ and ‘likely to push moviegoers over the e

骇人

极大的痛苦

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Introduction: Memory and Imagination in the Post-Witness Eraembering the past, memory has the potential to invest ‘imagination with social responsibility observable in calls to “never forget” or indictments of “never again”’ (Keightley and Pickering, 2012b: 123).

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