Titlebook: Revisionist Rape-Revenge; Redefining a Film Ge Claire Henry Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 Rape-reven

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Claire Henry992 Earth Summit for education towards sustainability, it began as a local government and community partnership initiative focused on empowering young people to be capable of thinking and acting for a sustainable future. Its distributed leadership model of central direction with local delivery has b

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Claire Henry environmental awareness and for students to develop an environmentally-friendly lifestyle. Since its inception in 2000, the HKGSA has undergone several phases of development. Between 2000 to 2008 it took the form of a competition with 3 winning schools and 10 merit schools After an initial review i

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Collective Revenge: Challenging the Individualist Victim-Avenger in ,, and ,, responses—including . (Barry Levinson, 1996), . (Clint Eastwood, 2003), and . (Quentin Tarantino, 2007)—speak to the issue of sexual violence as a systemic problem, while also challenging the meaning of sexual violence as being purely a form of “violence against (individual white young) women.”

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Introduction: Reapproaching Rape-Revenge,rative was recognizable as that of a rape-revenge film, and yet it was in a completely different package to the more notorious examples of the genre such as . (Meir Zarchi, 1978) or . (Abel Ferrara, 1981). I was lulled by the film’s panoramic Romanian landscapes and horse-and-cart pace, but through

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Remaking Rape-Revenge: , (1972/2009) and , (1978/2010),their recent remakes: . (Wes Craven, 1972/ Dennis Iliadis, 2009) and . (Meir Zarchi, 1978/Steven R. Monroe, 2010).. As canonical texts with both contemporary remakes and their own ongoing cult status, these films attest to the enduring relevance and popularity of the rape-revenge genre.. This chapte

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