Titlebook: Retrospection and Revision in Modern and Contemporary Art, Literature and Music; Mette Gieskes,Mathilde Roza Book 2024 The Editor(s) (if a

Narcissist

Book 2024allows for a broad view on retrospectionand revision. The case studies presented here offer a multifaceted explorationof the widely different goals to which practitioners of the arts have maderetrospection and revision functional against the background of cultural, social,political, and personal forces..

CHART

Uwe Timm and the Ghosts of the Past—A Writer’s Ethical Impact on the Agenda of Collective Memory. The essay explores if, and how, an author can potentially influence collective historical remembrance and what can be learnt from Timm’s literary engagement with the past for our own social and political responsibility.

变异

’ , The Rolling Stones’s Revisit of Their ” as McMullan and Smiles have defined “late style?” I take my departure from musical recordings, live performances, and album cover design as a gateway to reflect on the intersection of autobiographic narratives and music. I call this approach sonic life writing.

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Ferritin

Uwe Timm and the Ghosts of the Past—A Writer’s Ethical Impact on the Agenda of Collective Memorycessful writer in Germany, who is now in his eighties, reveals in his work a distinct trend toward retrospection and revision. He is particularly well-known for his novel . (1978, AmE 2003), first published at a time when the German colonial record in Africa was of no public interest. His novel . (2

Extricate

Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijped images is the thread that runs through Kuijpers’s nearly sixty-year career. Kuijpers has visited many countries, including Egypt, Indonesia, Iceland, Italy, and France. The two countries that impressed him the most were Morocco and Australia, to which he has made repeat visits. In order to determi

顾客

The Fall and Rise of ,: Malcolm Cowley and the Cultural Politics of Revision” in the emergence of modern American literature from cross-fertilization with European modernism. Written after Cowley’s Depression-inspired conversion to radical politics, it repudiated the non-political aesthetics of the 1920s, and ended with a call to radical engagement. In 1951, the book was re

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精致

An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings, and Turning Poeen from his home at 204 Rue de Rivoli. Pissarro had started his career as a realist and impressionist. Around 1885, he ‘converted’ to neo-impressionism, but by 1890 he returned to his earlier style. The Tuileries paintings are typical of Pissarro’s late impressionist style. In letters to his son Lu