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Titlebook: Remembering Queens and Kings of Early Modern England and France; Reputation, Reinterp Estelle Paranque Book 2019 The Editor(s) (if applicab

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楼主: FAD
发表于 2025-3-25 03:55:16 | 显示全部楼层
2730-938X and a range of well-known and lesser-known rulers.Appeals toThis collection examines the afterlives of early modern English and French rulers. Spanning five centuries of cultural memory, the volume offers case studies of how kings and queens were remembered, represented, and reincarnated in a wide r
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Boudicca and Elizabeth Rally Their Troops: “Two Queens Both Alike in Dignity”yzes depictions of Boudicca and how she is compared with Elizabeth, particularly as queens encouraging their troops, in Elizabeth’s reign. Both were powerful women who ruled on their own—Elizabeth as an unmarried woman ruling in her own right and Boudicca as a widow ruling for her young daughters.
发表于 2025-3-25 12:13:25 | 显示全部楼层
Princess, Duchess, Queen: Mary Tudor As Represented in a Seventeenth-Century French Love Storyboth France and England, and the numerous historical and literary sources published about her, both before and after Préchac’s novel, show the popularity and relatability of her love story with Brandon.
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Virtue Betray’d: Women Writing Anne Boleyn in the Long Eighteenth Centuryoleyn, a more complex figure emerged, prefiguring contemporary representations of Anne Boleyn as a proto-feminist figure trapped and preyed upon in a rigidly patriarchal world. This chapter compares a number of accounts of Anne Boleyn’s life by women in the long eighteenth century: Madame d’Aulnoy, Sarah Fielding, and Mary Hays.
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Chivalry, Nobility, and Romance: Richard Hurd and the Ideal Elizabethan Pastzabeth. This chapter examines Hurd’s Elizabethan past, in which the monarchy, in the person of Elizabeth, and the nobility were in a balance of political power, while chivalry and romance formed the cultural and literary norms.
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“Let them eat cake, she says”: Assessing Marie-Antoinette’s Imagenime, and manga, and the political and economic circumstances in which these cultural works were created, we can see that during moments of political or economic upheaval or a major shift in gender roles, Marie-Antoinette appears as a figure of dignified motherhood, royalty, or simply as an ordinary woman thrust into extraordinary circumstances.
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