Titlebook: Re-reading the Short Story; Clare Hanson (Senior Lecturer in English) Book 1989 Clare Hanson 1989

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书目名称Re-reading the Short Story影响因子(影响力)




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书目名称Re-reading the Short Story读者反馈学科排名

令人心醉

Rinne-Test

High Ground,lish a stance or line between reader and text: prepared by the writer, as I take it, who creates the taste by which he is to be enjoyed, first by designating the space within which this process is to take place.

AROMA

Genre Reversals in Doris Lessing: Stories Like Novels and Novels Like Stories,r now?). Her last volume of new short stories appeared in 1972. (Later volumes have collected previously published short stories.) Nonetheless, her short story writing paralleled her novel writing, perhaps her very best novel writing, for a very long time. Sometimes they preceded and deeply affected her novel writing.

率直

Guileless

Introduction,e-establish the short story as a legitimate subject for discussion. Each of the essays was first presented at a Symposium on the Short Story held at the College of St Paul and St Mary, Cheltenham, in September 1986. The idea for the symposium came from a general feeling of dissatisfaction with the c

浓缩

Text and Affect: A Model of Story Understanding, as those of Perry and Iser.. For shorthand I shall call it the defamiliarisation model. It assumes that there is a set of norms and conventions which the text calls into play, only to unsettle them in some way and point to an alternative interpretation of reality, or (in some modernist texts) the i

调味品

Too Short for a Book?,ousand pages long, Proust’s .. How we know, reading that sentence, that we are beginning to read a very long book, and how Proust chose it as the opening of his great work, are among those many mysteries of literature that, thank God, no one is able to elucidate. It is part of the same mysteriousnes

缺乏

Exclude

Gender and Genre, the relationship between gender and genre in the hope that short story afficionados can extrapolate and develop their own particular connections.. I am speaking from my interest in feminist literary criticism, but here lies my second disclaimer, for feminist criticism which has had so much to say a