Titlebook: Rarity and the Poetic; The Gesture of Small Harold Schweizer Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Blanchot.Emerso

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弄皱

The Rarity of the Gesture of Small Flowers,ry finds between rarity and mental images, I find a kinship between the gesture of flowers and the gesturing of poems. A poem gestures rather than means or represents; it does not produce knowledge. It is a shade, an intimation, a resonance. As Alain Badiou writes in terms that echo both Kant and th

欢笑

Expostulate

The Rarity of Dying,hough signs and symbols of irremediable loss, each stanza break resonates with a remainder, a resonant silence, a silence that is audible. Epitomized by the empty space of the stanza break, a poem’s rarity does not consist in what is legible on the page but in what is implied, and audible, by what i

gustation

The Density of Suffering, Oswald, the substratum is marble and stone respectively, emblems of density that here allegorize the anonymous quality of suffering. The tentative, rare occasions when this density might nonetheless “give off” something of its hermetic quality are in both poems reached at moments offleeting poignan

消耗

,The Rarity of One’s Own Death, proceeds from images of physical violence to a gesture of a tenuous resistance against trauma and oblivion. It ends not in the void of hopelessness but in a wisp of affirmation of human value. The poem functions as a thin, verbal sieve that, in the space of fourteen meager lines, briefly delays the

咯咯笑

串通

The Rarity of Accidents,fers from terminal brain cancer, appear in bitterly ironic contrast. The poet must interiorize both accidents in their incompatible simultaneity. The two events have considerable rarity — phenomenological and moral — in that both appear as ungrounded, inexplicable, unjustified. They are materially r

pellagra

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